Upcoming
2024
Installation view with Alexandre Khondji.
2023
Ithaca (group exhibition)
Herald St, London
November 16, 2023–February 17, 2024
Installation view with Alekos Fassianos.
Growth
Laurel Gitlen, New York
April 20–May 27, 2023
An Echo, 2023. Kiln-formed glass and steel. 48 x 120 x 6 inches.
Civic (Station), 2023. UV-C exposed gum bichromate print on paper in acrylic and linen passe-partout frame. 20 1/8 x 14 3/4 x 1 3/8 inches.
Growth (Figs), 2023. UV-C exposed gum bichromate print on paper in acrylic and linen passe-partout frame. 20 1/8 x 14 3/4 x 1 3/8 inches.
Contributor
Mossflower vol. 1 no. 1, "Residue"
February 2023
2022
Profile by Philipp Hindahl
Mousse 78
Winter 2022
Civic
Regards, Chicago
September 30–November 12, 2022
Federal Center (Swapping Spit), 2021–22. Kiln-formed glass, acrylic, UV-C germicidal lights, water, pumps, and PVC tubes. Two elements, 9 x 36 x 72 inches each; installation dimensions variable.
Civic (Ohio Street), 2022. UV-C exposed gum bichromate prints on paper in acrylic and linen passe-partout frames. 6 parts; 20 1/8 x 14 3/4 x 1 3/8 inches each.
Paris Internationale
Solo presentation with Sweetwater, Berlin
October 19–23, 2022
Echo, 2022. Kiln-formed glass, acrylic. Two elements; glass element: 1 x 10-1/4 x 10-1/4 inches each; overall: 41 x 12 x 12 inches each.
Civic (Train), 2022. UV-C exposed gum bichromate print on paper in acrylic and linen passe-partout frame. 20-1/8 x 14-3/4 x 1-3/8 inches.
Artforum review by Àngels Miralda
Double Negative (Swapping Spit), 2021. Kiln-formed glass, acrylic, UV-C germicidal lights, water, pumps, and PVC tubes. Two elements, 15-3/4 x 48-1/8 x 48-1/8 inches each; installation dimensions variable.
2021
A void
Sweetwater, Berlin
September 15–November 6, 2021
Texte zur Kunst review by Carlos Kong
Artforum review by Jeppe Ugelvig
Spike review by Isabella Zamboni
Interview with Gallery Weekend Berlin
Ebb, 2021. UV-C exposed gum bichromate prints on paper in acrylic and linen passe-partout frame. 14-3/4 x 20-1/8 x 1-3/8 inches.
Flow, 2021. UV-C exposed gum bichromate prints on paper in acrylic and linen passe-partout frame. 14-3/4 x 20-1/8 x 1-3/8 inches.
Double Negative (Swapping Spit), 2021. Kiln-formed glass, acrylic, UV-C germicidal lights, water, pumps, and PVC tubes. Two elements, 15-3/4 x 48-1/8 x 48-1/8 inches each; installation dimensions variable.
Liste Art Fair, Basel
Solo presentation with Sweetwater, Berlin
September 20–26, 2021
Growth (Knoll), 2021. UV-C exposed gum bichromate print on paper in acrylic and linen passe-partout frame. 14-3/4 x 20-1/8 x 1-3/8 inches.
Growth (Garden), 2020–21. Eight UV-C exposed gum bichromate prints on paper in acrylic and linen passe-partout frames. 11-1/8 x 8-1/8 x 1-3/8 inches each.
Growth (Honeysuckle), 2020–21. UV-C exposed gum bichromate print on paper in acrylic and linen passe-partout frame. 11-1/8 x 8-1/8 x 1-3/8 inches.
2020
Maison Dakota (vol.2) (group exhibition)Super Dakota, Brussels
January 9–February 22, 2020
Sanitation (Meadow), 2019. UV-C exposed gelatin cyanotype on glass in acrylic frame. 32 x 28 inches.
2019
Sanitation (Planter Box), 2019. UV-C exposed gelatin cyanotype on glass in acrylic frame. 20 x 18 inches.
2018
Red-blooded, White-skinned, and the Blues
Sweetwater, Berlin
December 1, 2018–January 26, 2019
Artforum review by Alexandra Symons Sutcliffe
Erasure (en masse), 2018. Motion-deactivated UV-C germicidal fluorescent lamps, anodized and painted aluminum, sensors. Eight pieces, each 44 x 4 x 2-1/2 inches; installation dimensions variable.
Transmission, 2018. FM transmitter, computer, and custom-programmed single-channel FM radio with anodized aluminum, painted steel, acrylic, mesh, and glass. Radio: 50 x 9-1/2 x 4-3/4 inches; installation dimensions variable.
Sanitation (Pride), 2018. UV-C exposed gelatin cyanotype on lacquered aluminum in acrylic frame. 20 x 18 inches.
Frieze, New York
Solo presentation with Regards, Chicago
May 3–6, 2018
A Whisper (Lying Down), 2018. UV-C germicidal fluorescent lamps, acrylic, wood, anodized aluminum, air filter, fans. 14-1/4 x 43-1/2 x 12-1/4 inches.
Fall, 2018. UV-C-exposed gelatin cyanotype on glass in acrylic frame. 20 x 18 inches.
Fall, 2018. UV-C-exposed gelatin cyanotype on glass in acrylic frame. 20 x 18 inches.
Idling
Regards, Chicago
March 3–April 26, 2018
NewCity review by Ryan Filchak
Summer, 2018. UV-C-exposed gelatin cyanotype on glass in acrylic frame. 20 x 18 inches.
Idling, 2018. Super 8 film transferred to 4K video on monitor with hand-sewn wool blanket. 14 minutes.
Erasure (apart), 2018. Motion-deactivated UV-C germicidal fluorescent lamps, anodized and painted aluminum, sensors. 4 x 37-1/2 x 2 inches each; installation dimensions variable.
Fall, 2018. UV-C-exposed gelatin cyanotype on glass in acrylic frame. 20 x 18 inches.
Not an edge, but a hinge (group exhibition)
Abrons Arts Center, New York
June 29–August 5, 2018
Repose (alone), 2018. Slumped glass on down pillow. 8 x 25 x 16 inches.
2016
Repose, 2016. Slumped glass on down pillow. 10 x 100 x 32 inches.
Identity Intelligence (World Trade Center), 2016. Super 8 film transferred to HD video on LCD monitor with privacy filter. 5 minutes looped.
2015
I am, etc.
Regards, Chicago
October 30–December 19, 2015
Identity Intelligence (Prince and Greene), 2015. Silver gelatin print and acrylic screen print on matboard in aluminum frame. 20-1/4 x 16-1/4 inches.