Christopher Aque

Upcoming

Play it as it lays (group exhibition)
Curated by Kristian Vistrup Madsen
Charim Galerie, Vienna
September 17–October 19, 2024

 

2024

Christopher Aque and Alexandre Khondji
Condo London 2024
Sweetwater, Berlin hosted by Maureen Paley, London
January 20–February 18, 2024


Installation view with Alexandre Khondji.

 

2023

Ithaca (group exhibition)
Herald St, London
November 16, 2023–February 17, 2024


Installation view with Alekos Fassianos.

 

Growth
Laurel Gitlen, New York
April 20–May 27, 2023


An Echo, 2023. Kiln-formed glass and steel. 48 x 120 x 6 inches.


Civic (Station), 2023. UV-C exposed gum bichromate print on paper in acrylic and linen passe-partout frame. 20 1/8 x 14 3/4 x 1 3/8 inches.


Growth (Figs), 2023. UV-C exposed gum bichromate print on paper in acrylic and linen passe-partout frame. 20 1/8 x 14 3/4 x 1 3/8 inches.

 

Contributor
Mossflower vol. 1 no. 1, "Residue"
February 2023

 

 

2022

Profile by Philipp Hindahl
Mousse 78
Winter 2022

 

Civic
Regards, Chicago
September 30–November 12, 2022


Federal Center (Swapping Spit), 2021–22. Kiln-formed glass, acrylic, UV-C germicidal lights, water, pumps, and PVC tubes. Two elements, 9 x 36 x 72 inches each; installation dimensions variable.


Civic (Ohio Street), 2022. UV-C exposed gum bichromate prints on paper in acrylic and linen passe-partout frames. 6 parts; 20 1/8 x 14 3/4 x 1 3/8 inches each.

 

 

Paris Internationale
Solo presentation with Sweetwater, Berlin
October 19–23, 2022


Echo, 2022. Kiln-formed glass, acrylic. Two elements; glass element: 1 x 10-1/4 x 10-1/4 inches each; overall: 41 x 12 x 12 inches each.


Civic (Train), 2022. UV-C exposed gum bichromate print on paper in acrylic and linen passe-partout frame. 20-1/8 x 14-3/4 x 1-3/8 inches.

 

 

Some of It Falls from the Belt and Lands on the Walkway Beside the Conveyor (group exhibition curated by Yaby)
Vleeshal Center for Contemporary Art, Middelburg, NL
July 16–September 11, 2022

Artforum review by Àngels Miralda


Double Negative (Swapping Spit), 2021. Kiln-formed glass, acrylic, UV-C germicidal lights, water, pumps, and PVC tubes. Two elements, 15-3/4 x 48-1/8 x 48-1/8 inches each; installation dimensions variable.

 

 

2021

A void
Sweetwater, Berlin
September 15–November 6, 2021

Exhibition text

Texte zur Kunst review by Carlos Kong
Artforum review by Jeppe Ugelvig
Spike review by Isabella Zamboni
Interview with Gallery Weekend Berlin


Ebb, 2021. UV-C exposed gum bichromate prints on paper in acrylic and linen passe-partout frame. 14-3/4 x 20-1/8 x 1-3/8 inches.


Flow, 2021. UV-C exposed gum bichromate prints on paper in acrylic and linen passe-partout frame. 14-3/4 x 20-1/8 x 1-3/8 inches.


Double Negative (Swapping Spit), 2021. Kiln-formed glass, acrylic, UV-C germicidal lights, water, pumps, and PVC tubes. Two elements, 15-3/4 x 48-1/8 x 48-1/8 inches each; installation dimensions variable.

 

 

Liste Art Fair, Basel
Solo presentation with Sweetwater, Berlin
September 20–26, 2021


Growth (Knoll), 2021. UV-C exposed gum bichromate print on paper in acrylic and linen passe-partout frame. 14-3/4 x 20-1/8 x 1-3/8 inches.


Growth (Garden), 2020–21. Eight UV-C exposed gum bichromate prints on paper in acrylic and linen passe-partout frames. 11-1/8 x 8-1/8 x 1-3/8 inches each.


Growth (Honeysuckle), 2020–21. UV-C exposed gum bichromate print on paper in acrylic and linen passe-partout frame. 11-1/8 x 8-1/8 x 1-3/8 inches.

 

 

2020

Maison Dakota (vol.2) (group exhibition)
Super Dakota, Brussels
January 9–February 22, 2020


Sanitation (Meadow), 2019. UV-C exposed gelatin cyanotype on glass in acrylic frame. 32 x 28 inches.

 

 

2019

The Comedies of the Status Quo (group exhibition)
Kate Werble Gallery, New York
September 17–October 26, 2019


Sanitation (Planter Box), 2019. UV-C exposed gelatin cyanotype on glass in acrylic frame. 20 x 18 inches.

 

 

2018

Red-blooded, White-skinned, and the Blues
Sweetwater, Berlin
December 1, 2018–January 26, 2019

Exhibition text

Artforum review by Alexandra Symons Sutcliffe


Erasure (en masse), 2018. Motion-deactivated UV-C germicidal fluorescent lamps, anodized and painted aluminum, sensors. Eight pieces, each 44 x 4 x 2-1/2 inches; installation dimensions variable.


Transmission, 2018. FM transmitter, computer, and custom-programmed single-channel FM radio with anodized aluminum, painted steel, acrylic, mesh, and glass. Radio: 50 x 9-1/2 x 4-3/4 inches; installation dimensions variable.


Sanitation (Pride), 2018. UV-C exposed gelatin cyanotype on lacquered aluminum in acrylic frame. 20 x 18 inches.

 

 

Frieze, New York
Solo presentation with Regards, Chicago
May 3–6, 2018


A Whisper (Lying Down), 2018. UV-C germicidal fluorescent lamps, acrylic, wood, anodized aluminum, air filter, fans. 14-1/4 x 43-1/2 x 12-1/4 inches.


Fall, 2018. UV-C-exposed gelatin cyanotype on glass in acrylic frame. 20 x 18 inches.


Fall, 2018. UV-C-exposed gelatin cyanotype on glass in acrylic frame. 20 x 18 inches.

 

 

Idling
Regards, Chicago
March 3–April 26, 2018

Exhibition text

NewCity review by Ryan Filchak


Summer, 2018. UV-C-exposed gelatin cyanotype on glass in acrylic frame. 20 x 18 inches.


Idling, 2018. Super 8 film transferred to 4K video on monitor with hand-sewn wool blanket. 14 minutes.


Erasure (apart), 2018. Motion-deactivated UV-C germicidal fluorescent lamps, anodized and painted aluminum, sensors. 4 x 37-1/2 x 2 inches each; installation dimensions variable.


Fall, 2018. UV-C-exposed gelatin cyanotype on glass in acrylic frame. 20 x 18 inches.

 

 

Not an edge, but a hinge (group exhibition)
Abrons Arts Center, New York
June 29–August 5, 2018


Repose (alone), 2018. Slumped glass on down pillow. 8 x 25 x 16 inches.

 

 

2016

In Practice: Fantasy Can Invent Nothing New (group exhibition)
SculptureCenter, New York
May 1–August 1, 2016

Exhibition catalogue


Repose, 2016. Slumped glass on down pillow. 10 x 100 x 32 inches.


Identity Intelligence (World Trade Center), 2016. Super 8 film transferred to HD video on LCD monitor with privacy filter. 5 minutes looped.

 

 

2015

I am, etc.
Regards, Chicago
October 30–December 19, 2015

Exhibition text

Interview with Park McArthur


Identity Intelligence (Prince and Greene), 2015. Silver gelatin print and acrylic screen print on matboard in aluminum frame. 20-1/4 x 16-1/4 inches.